Mark Leibovich has written a book titled “This Town: Two
Parties and a Funeral (Plus, Plenty of Valet Parking!) in America's Gilded
Capital”. The book was intended to raise anti-Congressional sentiments.
According to the New York Times, the book is “not to ruin it
for you, but: if you already hate Washington, you’re going to hate it a whole
lot more after reading Mark Leibovich’s takedown of the creatures who infest
our nation’s capital and rule our destinies. And in case you are deluded enough
as to think they care, you’ll learn that they already hate you”.
Mark Leibovich quoted his former Washington Post colleague
Henry Allen: “Washington feels like a conspiracy we’re all in together, and
nobody else in America quite understands, even though they pay for it.”
Mark Leibovich intended his book to be read not only by
those who already hated the United States Congress but also by those who already
have a fair knowledge of that scandalous bicameral legislature of the federal
government. In order to be able to fully appreciate the delicacies of
Leibovich’s book, the reader has to be one of those political junkies who
regularly watch the Sunday talk shows and other pundit platforms. Then the reader
would be able to know most of the characters who swim through the narrative.
Most probably, no one else would.
Delicious portrayal of vanity and runaway opportunism, the
book could be categorized halfway between satire and a polemic. Although not an
in-depth investigation into Washington’s abuse of power and excesses, it is
said to be giving a panoramic view of the culture of Washington portraying it
as a fertile soil for wide-spread corruption.
Mark Leibovich is a New York Times reporter and perhaps no
other source does a better job attenuating the desired effect of the afore
mentioned book than the New York Times itself in a piece published on July 25,
2013. Dubbed “Leibovich’s Congressional hall of shame”, the book was portrayed
as a bold but honest account of people - Washington insiders, that is - who
cynically enrich themselves with taxpayers’ money and “gleefully inhabit
ethical no-worry zones and execute brisk 180-degree switcheroos on any
issue... as long as it pays”. According to some critical comments, those people
always have a cynical smirk on their faces, laughing at the stupid people -
everyone outside of the Beltway - who support their little aristocracy upon the
Potomac ('The Club', as it is referred to).
It has been noted that the author does not take sides,
politically. He shies away from exposing true corruption. Generally, the author
is portrayed as a guy who is simply giving an honest account of what he had
seen behind the curtains. As a political reporter, Mark Leibovich is disinclined
to expose the true breadth and depth of the decadence of 'The Club' of which he
is definitely a member.
Giving the readers only a few quick glances behind the
curtain before closing it again, the author has nonetheless exposed the
relationship between politicians and the media people who cover them. But the
greatest attention is paid to the lobbying!
While writing mostly about the last several years, with much
of the book centered upon the 2012 elections, Leibovich dedicated a lot of his
attention to lobbying and lobbyists in the United States Congress. The New York
Times points out that President Obama’s first year in office was the best year
ever for the special interests industry, which earned $3.47 billion lobbying
the federal government. Calling it the “arresting figure”, the New York Times
cites Leibovich as well as The Atlantic emphasizing the fact that lobbying has
now become one of the primary activities for “50 percent of senators and 42
percent of congressmen”.
Lobbying and the arrival of big money in Washington has
become the major focus both of the Leibovich’s book and the New York Times’
critical acclaim of his book. The two has portrayed Washington as a culture
that breeds irrevocably corrupt politicians and the constellation of enablers.
A lot has been said about the proliferation of “formers” and pundits, who had
turned Washington into a “Parliament of Whores, Continued.”
As it has been mentioned, Leibovich does not takes sides in
his strangely provocative and intentionally depressing book. Leibovich does not
make any recommendations for change, either. The book has been generally
referred to as a well-written anthropological study of a specific tribe of
politicians, with its own culture, language and social mores. The author plays the
part of the anthropologist, who is simply observing but unwilling to judge.
In a very complimentary way, the New York Times does just
that in its critical essay on the book. Christopher Buckley, in the final
chapter of his recent article ‘A Confederacy of Lunches’ writes: “By the end,
one is left thinking that our country would be so much better off if, after
putting in their years of “public service,” all these people would just go
home. Or just away.”
It seems, for some, the “Parliament of Whores” has become
more than just a nuisance of America’s everyday politics. And the notorious
lobbying of transnational corporate interests in the United States Congress has
ceased to be just another feature of the local political landscape. The tragic
proliferation of foreign-backed corruption and political intrigue, which has
dramatically increased over the past twenty years, has turned out to be playing
against the national interests of the United States of America.
It is well known that traitors and sellouts have no true
political or national identity and are loyal only to the source of their
biggest financial support. Perhaps, a sweeping political reform in Washington
is a long shot, so far. But this book by Mark Leibovich and a characteristic
response from the leading critics in the U.S. bespeak a growing tension in the
relationship between ‘The Club’ and the American nationalists. If such a book
were to become the first stone, the years, if not centuries, of infiltrating of
foreign interests inside the American politics would be over within a decade or
two. But, perhaps, it will take more than just another book before American
citizens manage to make the “Citizens of the Greenroom” go home. Wherever it
is.
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