G.K. Chesterton's Encounter With Nikolay S. Gumilev

It was at the house of Lady Juliet Duff; and among the guests was
Major Maurice Baring, who had brought with him a Russian in uniform;
who talked in such a way as to defy even the interruptions of Belloc,
let alone of mere bombs.  He talked French in a flowing monologue that
suavely swept us all before it; and the things he said had a certain
quality characteristic of his nation; a quality which many have tried
to define, but which may best be simplified by saying that his
nation appears to possess every human talent except common sense.
He was an aristocrat, a landed proprietor, an officer in one of
the crack regiments of the Czar, a man altogether of the old regime.
But there was something about him that is the making of every Bolshevist;
something I have felt in every Russian I ever met.  I can only say
that when he walked out of the door, one felt he might just as well
have walked out of the window.  He was not a Communist; but he was
a Utopian; and his Utopia was far, far madder than any Communism.
His practical proposal was that poets alone should be allowed to rule
the world.  He was himself, as he gravely explained, a poet.
But he was so courteous and complimentary as to select me,
as being also a poet, to be the absolute and autocratic governor
of England.  D'Annunzio was similarly enthroned to govern Italy.
Anatole France was enthroned to govern France.  I pointed out,
in such French as could be interposed into such a mild torrent,
that government required an idée générale and that the ideas of France
and D'Annunzio were flatly opposed, rather to the disadvantage of any
patriotic Frenchman.  But he waved all such doubts away; he was sure
that so long as the politicians were poets, or at any rate authors,
they could never make any mistakes or fail to understand each other.
Kings and magnates and mobs might collide in blind conflict;
but literary men can never quarrel.  It was somewhere about this
stage in the new social structure that I began to be conscious
of noises without (as they say in the stage directions) and then
of the thrilling reverberations and the thunder of the war in heaven.
Prussia, the Prince of the Air, was raining fire on the great
city of our fathers; and whatever may be said against Prussia,
she is not governed by poets.  We went on talking, of course,
with no alteration in the arrangements, except that the lady
of the house brought down her baby from an upper floor; and still
the great plan unfolded itself for the poetic government of the world.
Nobody in such circumstances is entirely without passing
thoughts of the possible end; and much has been written about
ideal or ironic circumstances in which that end might come.
But I could imagine few more singular circumstances, in which to find
myself at the point of death, than sitting in a big house in Mayfair
and listening to a mad Russian, offering me the Crown of England.
(G.K. Chesterton, Autobiography)